Also I feel so connected to characters or people in stories or books I’ve read for school recently—
Clarissa Dalloway in Mrs. Dalloway, her entire existence and simultaneous joy and exuberance at the world and but then creeping naggling feelings of some very deep and hard to define dissatisfaction. But she is so admirable! I think. It would be good if more people could find and understand that zest and IT IS VERY, VERY DANGEROUS TO LIVE EVEN ONE DAY “She sliced like a knife through everything, at the same time was outside, looking on.” and etcetera. Also I think Virginia Woolf in general as a person, but I don’t know very much about her but what I have read feels very close and hurts to think about, so.
Clov in Beckett’s Endgame. I don’t want to think about this very much because it is not helpful other than being aware that it’s pretty much only me who is holding me back.
Emily Bronte, or at least how she is portrayed in Anne Carson’s “The Glass Essay”
(there is a lot more than this in it; it is really good and you should read the whole thing if you want, but here is a little:)
“Emily is in the parlour brushing the carpet,”
records Charlotte in 1828.
Unsociable even at home
and unable to meet the eyes of strangers when she ventured out,
Emily made her awkward way
across days and years whose bareness appalls her biographers.
This sad stunted life, says one.
Uninteresting, unremarkable, wracked by disappointment
and despair, says another.
She could have been a great navigator if she’d been male,
suggests a third. Meanwhile
Emily continued to brush into the carpet the question,
Why cast the world away.
For someone hooked up to Thou,
the world may have seemed a kind of half-finished sentence.
But in between the neighbour who recalls her
coming in from a walk on the moors
with her face “lit up by a divine light”
and the sister who tells us
Emily never made a friend in her life,
is a space where the little raw soul
slips through.
It goes skimming the deep keel like a storm petrel,
out of sight.
The little raw soul was caught by no one.
She didn’t have friends, children, sex, religion, marriage, success, a salary
or a fear of death. She worked
in total six months of her life (at a school in Halifax)
and died on the sofa at home at 2 P.M. on a winter afternoon
in her thirty-first year. She spent
most of the hours of her life brushing the carpet,
walking the moor
or whaching. She says
it gave her peace.
“All tight and right in which condition it is to be hoped we shall all be this
day 4 years,”
she wrote in her Diary Paper of 1837.
Yet her poetry from beginning to end is concerned with prisons,
vaults, cages, bars, curbs, bits, bolts, fetters,
locked windows, narrow frames, aching walls.
“Why all the fuss?” asks one critic.
“She wanted liberty. Well didn’t she have it?
A reasonably satisfactory homelife,
a most satisfactory dreamlife—why all this beating of wings?
What was this cage, invisible to us,
which she felt herself to be confined in?”
Well there are many ways of being held prisoner,
I am thinking as I stride over the moor.
—-
Well I feel a lot better now, thank you internet for giving me a space to put stuff that is so public it almost feels private somehow but really any person in the world can read this and that seems good and I’m off to get ready for work, so goodbye.